Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

30 August 2011

Slow Leak: An Evolution


I'm gearing up to record my first EP. Everything feels like it is moving in the right direction, at the right speed. A friend of mine, Jason, commented that he loves Slow Leak because he was able to see it evolve from the moment of conception to where it is today. It has, indeed, been a wild progression.

I love Slow Leak now, a story about a relationship torn apart. It was written as a letter to myself and my partner at the time as we were in the midst of a drawn out break up. We were trying to figure out the way to find a resolution while making a series of terrible decisions.

It's cathartic and painful and exhilarating to play & I can't wait to have a full recording of it. I know it's top on a lot of people's lists of songs to have on the album.

Thanks to Tyler Breish for the iPhone video at our latest Homophonic Show. Come see Homophonic, a queer singer/songwriter showcase, every third Saturday of the month at Martuni's SF.

13 December 2010

Sunday Night Mic - Feature Set - 1 of 6

This is my opening song for my 30 minute feature set at Sunday Night Mic. "Come Around" was a song I wrote about a woman first telling her partner "I Love You".

Brushing Up

I've been playing quite a few shows around SF lately. Really brushing up my set, collaborating with new artists & writing new music. I performed earlier on in November with my pals Jeb (Piano) and Derek (Piano, Ukulele) at this awesome piano bar called Martuni's. We'll be back there again on December 19th. What an awesome last show to send me off to Europe in style.

Take a look at one of my original songs, "Make It Easier", from that performance.


05 May 2010

Meet up with MURS

MURS and I first met on some random street in Austin, Texas during South by Southwest 2010. He had previously done a headphone promotion with Skull Candy and I just so happened to be walking down the street with a previous Skull Candy employee. This is one of the most impressive things about Austin--musicians and people who work in the music industry fly in from all over the country (and globe) for this event. There are so many venues, so many performances, that the streets seem to flood with busying bodies. It must have been 11 pm or so when Brad and I ran into MURS and his recent wife, Kate. We each had shows we wanted to go see-I have no idea who now-but instead we stood on the side of the street just talking about everything that came to mind: our respective jobs, travel, school, food, music & art. It was an ardent moment in a frantic week. Kate and I got to know each other as well as two people can for an hour-plus sidewalk conversation.

I had heard of MURS prior to meeting him, but hadn't really understood how impressive a man he is until that night in Austin. As we were chatting, people from all directions would gleefully shout out "MURS!" and run over to take pictures, have things signed, and hand off demo CDs. MURS stated that they actually do listen to all the albums that are handed to them. Both he and Kate--a perfect match if you ask me--are the absolute sweetest, down-to-earth individuals. I truly felt at home hanging out with them.

While at Austin, I got to see MURS perform. That same night, on that same stage, DJ Qwik and Bone Thugs & Harmony played. I watched from off stage with the rest of the crew (I do enjoy the VIP pass this job sometimes brings) and got to see how excitedly the crowd reacted. Everyone was jumping up and down, singing every lyric. MURS puts on a fantastic show- if you ever have the chance to see him, regardless of if you are a fan of hip hop or not, it's a perfect performance. MURS displays class and tact & a stinging sense of wit and intelligence.

Months later, MURS came to SF to play Fillmore West. We got back in contact and started planning for our Vado TV interview. It proved to be hilariously entertaining, certainly for me, and hopefully for you.


16 April 2010

Fun with The Ruby Suns

In true 6 degrees of Kevin Bacon form, The Ruby Suns and I are connected by only 2 degrees. My great pal Claire is high school friends with the tour manager of The Ruby Suns. It took just a few emails to get connected with front man Ryan McPhun & strike up a conversation. Ryan is Californian born and bred until he decided to follow his travelling soul across the globe to Auckland, New Zealand where he formed Ryan McPhun & The Ruby Suns. The band has gone through a few iterations up until it's current state. I met up with the band at one of my favorite San Francisco venues, Bottom of the Hill. We all piled onto a small couch in the green room and chatted for about 20 minutes. Most of it was complete and utter nonsense, which certainly made for an interesting editing process. In the end, the video turned out wonderfully. This is yet another highly recommended show. All the guys are up-beat, whimsical in output, yet serious in craft.


15 April 2010

Outasight so outta sight

Outasight and I met up at the LRG party in South by Southwest 2010. Outasight packs a killer show- he is classified as hip-hop but he encompasses so many genres. His beats are strong, lyrics are poetic and his melodies are thick and ruddy. Classic rock & 50's big band remnants find their way into his songs, making each one a complex treat.

Outasight, born Richard Andrews, gave our audience some words of wisdom for making it in the music world as well gave some insight into what SXSW offers.


14 April 2010

Going home with Kelley James

While working the LRG party at SXSW 2010, I got to meet and interview a ton of incredible artists. We had a few minutes to chat before each interview making it difficult to really get to know a person or latch on to one's personality. This was not the case with Kelley James. He was personable and captivating right from the very beginning. His presence immediately pulls you in and makes you feel comfortable, I instantly felt like I was having a reunion with a long lost pal.

Not only is he a charming individual, he is impeccably talented. His music filled the room and halted everyone in attendance.


10 April 2010

Up there, soaking up light

My performances are too far and few between, but when they happen they delight me to no end. I performed at a benefit for FACT/SF, a San Francisco based dance company. I played two of my most recent songs, Come Around and What I Need, as well as a cover (with Paul Gilliham) of Ray Lamontagne's You Are The Best Thing Everyone seemed to love it, already I am itching to have another go. Let's hope I don't wait so long in between performing next time.





21 January 2009

The Sea of Screens

I was just sent a link to a Gizmodo article written by Adam Frucci where he brought up the notion of "obsessive documentation." As the photo (taken by Kate Heffernan) clearly shows, we are obsessed with digital documentation. Adam closes his writing by stating, "And in the end, what will help you remember an experience better: taking a not-great picture that's 80% crowd, or giving that experience 100% of your attention? You can always find photos online later, but you'll never be able to go back to that moment again and, well, pay attention to it."

In some respects, I agree with Adam's point of view. We should be able to be more zen, be in the moment, experience the experience and all that goodness. On the other hand, I think that the only way the current 'digital generation' actually feels they have experienced something, is if they have a digital account of it. This premise is what makes microblogging sites so prominent. The amount of information that we consume on a daily basis is vast and abundant. I read so many articles every day that it becomes hard to remember what the messages of each piece was or where to find it again. And so, I twitter it, I forward it and create a digital log of it.

In the case of the Inaugural address or the Youth Ball, there is no chance I could forget attending something like that, with or without having a camera attached to my hand. It's a bit of a double-edged sword because taking pictures means we don't have to remember since we have the pictures, yet at the same time, taking a picture solidifies that we have the memory. We are currently living in an age where digital proof is just as important as actual experience. Even if I attended the Youth Ball with a group of friends, I would still want to take my own pictures despite the fact that all my friends would be doing the same. My camera, my pictures, my memories. There is a degree of identity that is embedded in each digital account. Even if the pictures are seemly all the same, as Adam points out, and there may be 100 photos on flickr that are technically better than the ones you took... you still took it. You were there, you saw, you snapped.

Adam reflects on when he saw Radiohead play live and everyone had their phones out. He says, "people are more interested in taking photos of something they're witnessing than actually, you know, witnessing it." And sure, that might be the case, I understand that he might feel he missed the show if he watched it through a 2x3 inch screen rather than just looking up. If I watched an entire Radiohead show like that, I would feel a bit cheated as well. I saw Radiohead play at Outsidelands in SF this past August, and took a photo of it with my phone. There is NO way anyone would have any idea what they are looking at by viewing the photo posted to above. Me on the other hand, I do. I remember everything about that night, taking that picture, getting trampled by thousands of people. I remember where I was, trying to heave myself out of a wild crowd while 'Talk Show Host' played. That entire night was significant to me. My digital accounts and microblogging from that night are equally important to me. Rather, they were shoddy attempts at microblogging seeing as how 60,000 people were tyring to text, call, twitter, etc. all at the same time which basically arrested the network.

So yes, I wholeheartedly agree with you Adam. We are obsessed with digital documentation. Frankly I wish the other 59,999 people at Outsidelands weren't as obsessed with digital documentation as I am so that my twitter updates would be sent directly after I pressed "send" and I wouldn't have to "miss the show" trying to find a signal.



05 October 2008

Hardly Strictly Fooling

Celebrated my birthday by going to see a free bluegrass festival in Golden Gate Park. Bliss.



This photo is made infinitely better by the crying child in the bottom left hand corner.

Dancing to Gogol Bordello.


I should have asked her name.

He grimaced at me when he saw me aim. I love him for that.


We celebrated the end of the day with beers and laughter in a local "tropical" themed dive bar.

24 August 2008

Outside Lands Music Festival, SF

We could all get a little bit to gain, we could all give it up the same.
He turned around to search for friends, and gave me one of my favorite pictures I've taken.
We had regal archways and dreams fit for kings.
Of these cut-throat busted sunsets, these cold and damp white mornings I've grown so weary.
If through my cracked and dusty dime store lips I spoke these words out loud would no one hear me?